The oft-asked question throughout my visual
anthropology course has been based on the core of Karl G. Heider’s Ethnographic Film: What is “ethnographicness?” To really get to the heart of such a
difficult (and at times, contentious) inquiry, I ask, Who speaks on behalf of the film’s subject? It is from this
perspective that I review the film, Please Don’t Beat Me, Sir!
This is the story about the sons and daughters of “criminals,”
their choice to turn away from the ways of their elders, and how they cope with
a world that is not ready for their metamorphosis.